Video Post Production, Compositing and Color Grading
Not every project starts with a shoot. Often the footage already exists — shot by you, produced by an agency, captured at an event — and what's missing is the step that decides how it actually lands: post-production. That's where I come in. I take on compositing, editing and color grading for existing footage and carry it through to the final, delivered frame.
The material is there. It just doesn't sit yet.
The edit is locked, but the shots feel flat. Colors don't match from camera to camera. One element needs to go, another needs to come in. A shot is technically flawed but content-wise essential. None of that is a disaster — it's ordinary post-production. The only question is who handles it: someone who can operate editing software, or someone who sees why an image isn't working and knows which fix actually solves it.
I've worked in visual post-production since 2006, mostly on productions where the result had to hold up under close scrutiny. I apply the same standard to an event video. The scale of a project doesn't change the care that goes into it.
Who my team and I work with
Advertising agencies with finished raw footage nobody internally has time to complete. Industrial companies with corporate films or production documentation. Cities, municipalities and event organisers with event, trade fair or year-in-review material. Tourism boards with footage that isn't landing yet. Music video productions that need a final visual pass. Film and streaming productions that need additional capacity in post.
Editing and post production services
– Video editing and fine cut
– Color grading and colour correction
– Look development and visual consistency
– Audio sync and technical cleanup
– Format adaptation and final mastering
– Quality control before delivery
Compositing services
– Multi-layer compositing and image integration
– Adding CGI into existing live-action footage
– Rotoscoping, paint and cleanup
– Green screen keying and extraction
– Repair of technically problematic shots
– Repurposing and adaptation for new platforms
One point of contact, not a chain
From the first enquiry to final approval you deal directly with me. I work the material myself. Where a project needs more than one person, I bring in artists from my network — staffed to the project, transparently itemised, not a fixed apparatus. Technical pipeline: Nuke, DaVinci Resolve, Maya, Houdini.
Let's talk about your footage
You have material that isn't doing what it should? Send me a short description — in the initial call I'll tell you what can be pulled out of it, and what can't.
